By Rama Arya – Dec 03, 2014
So what happens when 20 internationally renowned street artists from all over the world, and two passionate people from Delhi get together and decide to bring the power of art as a medium of creative expression to the streets of India, free and accessible to all? St+art happens.
From 7-30, this November, over 30 murals in Mumbai transformed, otherwise drab edifices, into vibrant thought-provoking compositions. Luckily for me, a bulk of them were painted in Bandra, my home in this city. 🙂
Bandra is no stranger to street art. Its lanes burgeon with the works of both known and unknown street artists which I have written about in earlier posts; these include Inkbrushnme and Ranjit Dahiya. The distinction this time, however, is the sheer scale, purpose and eclectic mix of styles which seeps into almost every part of this suburb, drawing inspiration from local structures, communities and materials like never before.
I took a curated walk this past Saturday morning through some of the St+art murals, as part of the Celebrate Bandra festival. To say I enjoyed it would be an understatement. I loved it. Come, walk along with me:
The winding lanes of Pali Naka are the backdrop for over a dozen murals by eight street artists, each with their own unique interpretation and subsequent creative expression; there is a stencilled child staring shyly, a monumental lino art work, spray painted vibrant graffiti…
From top: Amitabh Kumar (India) Much Much, which he states is an answer to the viewer’s confusion and imagination; Mural by Phomas (Germany) 😀; Artistic map of Bond aka TruLuv (Germany), one of his many explorations of composing letters as creative expression.
Two walls. Two contrasting styles. On the left Seikon from Poland uses linear geometric patterns to create abstract art. Harshvardhan Kadam (India), aka inkbrushnme, meanwhile, narrates stories through poetic illustrations steeped in Indian mythology on the right wall.
Addicted to heights, Anpu Varkey (India) has been painting monumental murals for over a decade now, seeing the streets in India as endless canvases for her to pour her creativity on to. Breaking away from her penchant for cats, Anpu, here dedicates Squeeze to Mumbai and its people.
Tika (Maja Hurst), is a self-taught artist from Switzerland whose murals can be seen on buildings and streets from Cape Town to Rio de Janeiro, from Bangkok to Zürich. Entrenching herself in her mural location, her trademark style of vividly coloured fantastical animals covered in small hand cut silver tape leaves, explores today’s society and past traditions.
In contrast, German illustrator, Dome calls out to the suburb’s residents to enjoy Bandra’s simple pleasures through his surreal monochromatic painting Coming Home.
One of my favourite murals—Boy holding a Rainbow by Tona, a German stencil artist. Tona works with waste, stencil, and mixed media. His work can be seen all over Europe and now in Bandra too. 🙂
A Bandra resident proudly shows off her home’s 3D facade by Yantr (India) to passer-bys. Yantr, a Sanskrit word meaning ‘machine’, epitomizes the artist’s inimitable style revolving around the complexity of machines and organic forms which he uses as a medium to initiate debate on socio-political issues.
The collaborative street art of Tona and Tofu, amongst others, lines the walls of a weathered run down open space, turning the grounds into a riot of colour with its presence.
Tucked away behind the village, facing the Arabian sea amidst lines of washing, playing children and fisherfolk going about their everyday tasks is Tona’s smiling girl child, as if part of the living pulsating life around her. Notes’ graffiti completes the picture.
When a school wall gets painted over with ghostly white figures manually placing huge boulders, it gives the idea of Continental Drift a whole new meaning! Daan Botlek (The Netherlands), known for his minimalist stark figures questions reality, time and again, in his work, asking himself and the viewer, ‘What are the things we choose to see, and what are the things we choose not to see?’
Likewise, little did anyone guess the sheer fairy-tale charm the structure would end up with when Ano (Taiwan) commenced his mural on the walls of a nondescript grocery store in Hill Road. Working with pixels as his basic element, Ano draws upon themes from video games for his art. This work is titled The Blue Elephant.
For those who do not know, including me, St. Jude is the patron saint of lost causes. This became the mural theme for Akacorleone from Portugal, when painting the facade of the Bakery, which he conveys in a fun digital “visual” graffiti way!
Walk around to the side wall… And a breathtakingly beautiful mural by Gomez (Italy) meets one. Reminiscent of Caravaggio, Gomez, earlier a graffiti artist, came back to the street art scene this year in June as a Renaissance street painter and is since painting in London, Rome, Berlin and Mumbai.
The walk ends in an exhibition at St. Jude Bakery where street art is, this time around, brought in. The result is no less spectacular. Above left: Mermaid (Detail) by Tika, from the street across; Above right: Portrait by Yantr, inside the Bakery. The exhibition MAGMA Vol 1 is on from 15 November to 14 December, 2014, 11 am to 10 pm.
Post St+art Mumbai, St+art Delhi will be taking place in February 2015, in Shahpur Jat. Do be there! I will.
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Note: St+art India Foundation is a non-profit organization that aims to promote street art on the Indian landscape, providing a collaborative platform for artists from all over the world. Founded by Delhi based Arjun Bahl and Hanif Kureshi, the St+art project brings together some of the best Indian and international street artists for murals, installations, exhibitions, talks, screenings, workshops and curated walks. The paints are sponsored by Asian Paints.